Ry Cooder 

"Jazz"

Warner Bros. Records 

(Warner-Pioneer Corporation)

P-10519W

Japan

Stereo

1978

A1 Big Bad Bill Is Sweet William Now

Alto Saxophone – Pat Rizzo

Bass Saxophone – Bill Hood

Cornet – Mario Guarneri

Piano – John Rodby

Trombone – Randy Aldcroft

Written-By – Jack Yellen, Milton Ager

A2 Face To Face That I Shall Meet Him

Adapted By – Joseph Spence

Written-By – Traditional

A3 The Pearls / Tia Juana

Adapted By – Ry Cooder

Written-By – Jelly Roll Morton

A4 The Dream

Bass – Chuck Domanico

Piano – Earl Hines

Written-By – Jack The Bear, Jess Pickett

A5 Happy Meeting In Glory

Adapted By – Joseph Spence

Written-By – Traditional

B1 In A Mist

Bass – Tom Pedrini

Written-By – Bix Beiderbecke

B2 Flashes

Written-By – Bix Beiderbecke

B3 Davenport Blues

Bass – Tom Pedrini

Written-By – Bix Beiderbecke

B4 Shine

Bass – Chuck Berghofer

Featuring [Quartet] – Bill Johnson, Cliff Givens, Jimmy Adams, Simon Pico Payne

Piano – John Rodby

Written-By – Cecil Mack, Ford Dabney

B5 Nobody

Featuring [Quartet] – Bill Johnson, Cliff Givens, Jimmy Adams, Simon Pico Payne

Written-By – Bert Williams

B6 We Shall Be Happy

Adapted By – Joseph Spence

Written-By – Traditional

Alto Saxophone, Clarinet – Harvey Pittel (A1, B1, B3, B4)

Baritone Horn – George Bohanon (A2, A5, B6)

Bass Clarinet – David Sherr (B1, B3, B4)

Cimbalom – Stuart Brotman (A2, A5, B6)

Cornet – Oscar Brashear (A2, A5, B6)

Drums – Mark Stevens (A1, A2, A4, A5, B4, B6)

Guitar, Slide Guitar, Vocals, Mandolin, Tiple, Harp – Ry Cooder

Mandolin – David Lindley (A5, B6)

Mandolin Banjo – David Lindley (A2)

Marimba, Vibraphone – Tom Collier (A4, B1, B3, B4)

Pump Organ – Barbara Starkey (A2, A5, B6)

Tuba – Red Callender (A2, A5, B6)

Arranged by Bill Johnson and Joseph Byrd 

Conductor – Joseph Byrd

Produced by Joseph Byrd and Ry Cooder

Recorded and Mixed at Amigo Studios, 

North Hollywood CA

by Douglas Decker and Lee Herschberg

Recording Assistants – David Rivas, Ken Deane

1977